The British International School, Cairo

Newsletter QR Code

Km 38, Cairo-Alexandria Road
Beverly Hills Giza
Subscribe:https://bisc.schoolzineplus.com/subscribe

info@bisc.edu.eg
Phone:  (+202) 3827-0444

Group 6 - Music HL & SL

The study of music encourages inquiry into creative practices and performance processes. Music study develops listening, creative and analytical skills, as well as encouraging cultural understanding and international-mindedness. In this way, music is a catalyst for expanding critical thinking—a crucial life skill. When we understand others and ourselves through music, we are empowered to make positive and effective change in the world.

In this course, students and teachers engage in a journey of imagination and discovery through partnership and collaboration. Students develop and affirm their unique musical identities while expanding and refining their musicianship.

Throughout the course, students are encouraged to explore music in varied and sometimes unfamiliar contexts. Additionally, by experimenting with music, students gain hands-on experience while honing musical skills. Through realising and presenting samples of their musical work with others, students also learn to communicate critical and artistic intentions and purpose.

Exploring Music in Context

When exploring music in context, students will learn how to engage with a diverse range of music that will broaden their musical horizons and provide stimuli to expand their own music-making. Students will demonstrate diversity and breadth in their exploration by engaging with music from the areas of inquiry in personal, local and global contexts.

Experimenting With Music

When experimenting with music, students connect theoretical studies to practical work and gain a deeper understanding of the music they engage with. Through this theoretical and practical work as researchers, creators and performers, students will learn to experiment with a range of musical material and stimuli from the areas of inquiry across local and global contexts.

Presenting Music

When presenting music, students learn to practise and prepare finished pieces that will be performed or presented to an audience. In working towards completed musical works, students expand their musical identity, demonstrate their level of musicianship, and learn to share and communicate their music as researchers, creators and performers.

The Contemporary Music Maker (HL only)

Music at higher level (HL) builds on the learning of musical competencies and challenges students to engage with the musical processes in settings of contemporary music-making. For the HL component, students plan and collaboratively create a project that draws on the competencies, skills and processes in all of the musical roles of the music course, and is inspired by real-life practices of music-making. 

HL or SL

Both standard level (SL) and higher level (HL) music students are required to study musical perception. All students therefore submit a musical links investigation and also respond to a listening examination paper. In the latter, HL students are required to answer a further two questions. 

SL students in music are required to choose one of two options:

  • SL creating (SLC)
  • SL solo performing (SLS)

HL students are required to present both creating and solo performing.

External/internal

SL

HL

Exploring Music in Context

Students select samples of their work for a portfolio submission (maximum 2,400 words). Student submit:

  1. written work demonstrating engagement with, and understanding of, diverse musical material
  2. practical exercises:
  • creating: one creating exercise (score maximum 32 bars and/or audio 1 minute as appropriate to style)
  • performing: one performed adaptation of music from a local or global context for the student’s own instrument (maximum 2 minutes)
  • supporting audio material (not assessed).
  • External

    30%

    20%

    Experimenting with Music

    Students submit an experimentation report with evidence of their musical processes in creating and performing in two areas of inquiry in a local and/or global context. The report provides a rationale and commentary for each process. Students submit:

    1. a written experimentation report that supports the experimentation (maximum 1,500 words)
    2. practical musical evidence of the experimentation process
    • three related excerpts of creating (total maximum 5 minutes)
    • three related excerpts of performing (total maximum 5 minutes)

    Internal

    30%

    20%

    Presenting Music

    Students submit a collection of works demonstrating engagement with diverse musical material from four areas of inquiry. The submission contains:

    1. Presenting as a researcher
    • programme notes (maximum 600 words)
  • Presenting as a creator
    • composition and/or improvisation (maximum 6 minutes)
  • Presenting as a performer
    • solo and/or ensemble (maximum 12 minutes)
    • excerpts, where applicable (maximum 2 minutes)

    External

    40%

    30%

    The Contemporary Music Maker (HL only)

    Students submit a continuous multimedia presentation documenting their real-life project. Students submit multimedia presentation (maximum 15 minutes), evidencing:

    1. the project proposal
    2. the process and evaluation
    3. the realized project, or curated selections of it.

    Internal

    30%

    100%

    100%

    Distinction between SL and HL

    The syllabus differentiates between SL and HL. The greater breadth and depth required for HL is reflected through an additional assessment task. This task requires HL students to demonstrate knowledge and understanding of the core syllabus areas by formulating and communicating intentions for a project that is based on:

    • real-life practices of music-making
    • their experiences as developing musicians in this course
    • their collaboration with others.

    Prior Musical Experience

    Students must play a musical instrument to grade 4 standard or above. At HL it is strongly recommended that students have completed IGCSE Music and perform to at least grade 6 standard or above on one musical instrument. A strong understanding of Music Writing and Music Theory.